In 1986, Daniel Pohl was stuck in communist Czechoslovakia, looking for a way to escape life under totalitarian rule. His exit strategy was unusual, to say the least. After realizing that he could not rely on traditional forms of transport, Daniel chose to zip line his way to freedom. After teaming up with a physicist, the two devised a plan using a series of DIY pulleys. Thankfully, his journey proved to be mission possible as he successfully crossed the Iron Curtain, making a safe escape into Austria.

Min-gi, who is starring in the theater's 10th-anniversary play, suffers from undiagnosed tinnitus, which causes him constant problems. Min-gi eventually loses the lead role and has a major crisis as an actor. Then one day, at a hospital, he meets actor Park Inhwan.

A documentary on the making of "Pumping Iron" to celebrate its 25th anniversary. Aired on Cinemax.

The lives of a family of kelp (kombu) merchants in Osaka across three generations, spanning from the Meiji era through the aftermath of World War II.

In the midst of an industrial revolution, the people of Hinomoto fight hordes of undead creatures, known as Kabane, using powerful armored trains.

The films hero is a metal worker named Ignat who is as strong and tough as the steel that his sprawling factory produces in the Ural Mountains. Its a great cheerless environment; life is arduous and dangerous; conditions at the plant are nearly subhuman. The only excitement in the grimy industrial town is provided by robbing a train at gunpoint or stealing sheep from the Bashkiri tribe. The most renowned diversion, however, is the annual fist fight between the strongest metal worker and the strongest miner from the region. Against his better judgment, but with the support of his co-workers, Ignat decides to take part in this perilous venture.

Former high school football star Tyler Wells is having trouble settling into his comfortable working class life. With his job at a local plant hanging in the balance, and a baby on the way, he seeks one last taste of glory by entering a local boxing contest. When his troubled younger brother, Gabe enter the competition, Tyler finds himself battling not only his personal demons but his own flesh and blood as well. The two square off bringing decades worth of selling emotion and conflict into the ring.

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

An Ishiro Honda film.